Productions

Nothing harms production success more than a performer’s neglected voice. A strained voice, lack of vocal clarity or wayward accent can cost your production precious time and money - creating undue stress for all involved.

Effective vocal coaching ensures your production transports audiences to new worlds, old times, different cultures and into the heart of great stories. Whether for the smallest stage or largest screen, your show will resonate with excellent vocal storytelling.

Prospective coaching services:

  • Effective, Accurate Accents and Dialects

  • Dialect Design

  • Extreme Vocal Use

  • Bring the Script’s Authentic Vocal World to Life

  • Performer Vocal Health

  • Performer Body-Breath-Thought Connection

  • ADR Coaching

  • Enhancing the Actor and Ensemble’s Imaginative Voice

  • In-Studio Voice Over Coaching

  • Coaching for Child and Adult Performers

  • In-person, On-set and Online Coaching

  • National and International Coaching

When The Rain Stops Falling
The 25th Annual Putnam County Spelling Bee
And A Happy New Year
Control
Sister Act: The Musical
Machinal
How I Learned To Drive
Hydrarchos
Ghost Lights
The Seagull
Forgotten
Lunch With Bernays
Three Tall Women

  • THEATRE PRODUCTIONS: VOICE AND DIALECT COACHING

    • Sister Act The Musical 2024- Dialect Coach (dir: Bill Buckhurst)

    • Per NIDA: The 25th Annual Putnam County Spelling Bee (dir: Darren Yap), The Seagull (dir: Joseph Uchitel), Machinal (dir: Carissa Licciardello), How I Learned To Drive (dir: Tasnim Hossain), The Seagull (dir: Benjamin Schostakowski)

    • Per NIDA MFA Support Coaching: When The Rain Stops Falling (dir: Mark Gaal), Ghost Lights (dir: Katy Alexander), A Conversation (dir: Gillian Meisner-Lemon), Hot l Baltimore (dir: Elsie Edgerton-Till), Hurly Burly (dir: Kim Hardwick), A View From The Bridge (dir: Ed Wightman). For 'NIDA Festival of Emerging Artist' - And A Happy New Year (dir: Sophie Benassi), Hydrarchos (dir: Rikiah Lizarraga).

    • Per AFTT/ JMC Academy: Henry IV and Richard II

    • Per Sydney Actors School: Separate Tables (dir: Shane Anthony) and Joan Must Die (dir: Megan O’Connell).

    • Independent Theatre:

      • Control - Dialect Coach (dir: Lachlan Driscoll)

      • Three Tall Women - Dialect Coach (dir: Sophie Benassi)

      • Lunch with Bernays - Dialect Coach (dir: Samira Spring)

      • Forgotten - Voice and Dialect Coach (dir: Madeleine Diggins)

      • Sivvy Plath's Birthday Present - Dialect Consultant (dir: Cate Whittaker)

    FILM PRODUCTIONS

    • Numbered Lives feature, 2025 release - On-Set and ADR Dialect Coach (dir: James Clarke)

    GUEST COACHING

    • Belvoir St Theatre: The Weekend (dir: Sarah Goodes) guest show support cover coach in tech week

  • I am equipped to coach a wide variety of accents and dialects upon request. I love the challenge of a new accent, let me know what you need. Here's a sample of accents already coached:

    Australian, Baltimore, Boston, Bolton, Californian Surfer, Cockney, Estuary, Fijian, French, General American, German, Italian, Irish, Mid-Atlantic, Minnesota, New York: Brooklyn, Queens, Manhattan, Puerto Rican (Bronx), Received Pronunciation, Scottish, Standard British, Southern American, Yorkshire

    Idiolects: Sylvia Plath

  • Latin, French, Italian, German

“There is a mystery in every play that is written, no matter whether classical and poetic or modern and demotic, and it is the sound and the rhythm of the writing which takes us there”
— Cicely Berry, 'From Word to Play'

Voice and Dialect Coaching for Performers, Professionals and Productions